Bangladesh, Cultural, International, Life as it is, Literary

Mita Haque – the obituary

Mita Haque, the eminent Rabindra Sangeet singer

Mita Haque, one of the foremost Rabindra Sangeet singers not only in Bangladesh but also in West Bengal of India had sadly passed away only at the age of 59 at 6:15 am on 11 April, 2021 in Dhaka. It is a great loss, almost irreparable loss, to the Tagore song lovers all over the world. The inconsolable grief of the people of Bangladesh and of West Bengal at her demise is heart rending to watch.

Mita Haque was born on 6th September, 1962 in Dhaka in a very music-oriented family where songs, music, performing arts etc were parts of life. Her father was an enthusiast musical instrumentalist. But the major influence on her life came from her paternal uncle, Mr Waheedul Haque and his wife, Dr Sanjida Khatun, both of them were stalwarts in vocal music. Waheedul Haque must have sensed her talent at an early age in vocal songs, particularly Tagore songs, and encouraged her to follow it up.

As Mita Haque herself reminisced in her later life that even before she could speak, she used to rhyme. When she was about seven years old, she used to listen to elders singing Tagore songs and she would sing on her own a line and then she might forget the next line, she used to make it up and sing! As a small school girl, she was a regular singer at the annual school cultural activities. When she was eleven, she participated at the International Children’s Festival in Berlin in 1973.

She started taking music lessons seriously at the age of 13 from Mohammad Hossain Khan, who was a leading tabla player at that time. Although as a child she used to listen to and sing all varieties of songs such as Atul Prasad songs, D L Roy songs, Nazrul Geeti, modern songs etc, but she was wedded to Tagore songs right from childhood. She said, all other songs were for her to listen, Tagore songs were for her to sing. She embraced Tagore songs, Tagore poems, Tagore’s myriad of literature etc with all her life. Tagore was with her ‘in dreams as well as in waking hours’ (শয়নে স্বপনে).

Although she showed tremendous promise at an early age, she never went to Santiniketan, the school which Tagore family established and Rabindranath expanded for Bengali arts and culture. She learned everything, her love for Tagore songs and music etc, from Waheedul Haque and Sanjida Khatun. In that sense, she was purely a home grown product in Bangladesh

When Shailaja Ranjan Majumdar, a direct disciple of Rabindranath Tagore who worked on making notations in a number of Tagore songs, came to Dhaka in 1981, she along with other budding Tagore singers met him, sang songs for him. Before he left Dhaka, he said to Mita Haque, “Don’t take pride in your achievements and someday you will be a great singer”.

Indeed, she achieved greatness. She was the highest grade Rabindra Sangeet singer in Bangladesh Radio and Televisions. In her relatively short life, she had 14 solo musical albums released in India and 10 albums released in Bangladesh. She received almost all the awards, accolades that there are to receive. She was awarded Shilpakala Padak for Vocal Music, Rabindra Puraskar (Rabindra Prize) from Bangla Academy in 2017, Ekushe Padak for Arts (Music) in 2020 by the Government of Bangladesh. Nearly 15 years ago, she set up a music school called Surtirtha (translated as Centre of Lyrics) to give music lessons to students. She was also the Head of the Department of Rabindra Sangeet at Chhayanat Music School.

Mita Haque was married to renowned actor-director Khaled Khan who died in 2013. She leaves behind her only daughter, Farhin Khan Joyita, who is an accomplished Rabindra Sangeet singer in her own rights.

Lately, for about four years, she was not well. She had problems with her kidney and she had to have dialysis once a week. Few months ago, kidneys deteriorated further and she had to go through dialysis three times a week. Around two weeks or so before her expiry she was diagnosed with Covid-19; although she received best possible treatment, she succumbed to it. Her body was taken to Chhayanat for homage by colleagues, students and the general public within the prevailing restrictions and then taken to her ancestral home at Keraniganj in Dhaka, where she was buried beside her parents’ graves.

Mita Haque gave enormous pleasure to all Bengali speaking people by her melodious rendition of Tagore songs. People will continue to enjoy her songs and admire her enormously. It is said, “Do take heart that a person is not dead while his or her name is still spoken”.

Mita Haque held Tagore in her heart. Tagore wrote poems, songs, verses on all possible human emotions – love, joy, devotion, birth, death, grief, eternity and so forth. Her sad demise would bring grief to millions of Bengali people all over the world, but we can pay homage to her memory by remembering one of Tagore’s songs, which reads:

 আছে দুঃখ, আছে মৃত্যু,

                           বিরহ দহন লাগে !

  তবু শান্তি, তবু আনন্দ,

                           তবু অনন্ত জাগে !

Translated in English, it may read like this:

                 There is pain, there is death,

                               the grieving soul burns.

                 Yet there is bliss, there is merriment,

                              the eternal life runs.

Dr A Rahman is an author and a columnist

2 thoughts on “Mita Haque – the obituary”

  1. It’s heartrending. Her demise creates a vacuum difficult to fill in the arena of Rabindra Sangeet. Used to know her from her childhood. May she rest in peace.

    Like

  2. Sad to hear about Miita’s death. She reached ‘self actualization’ stage in her life and posterity will remember her for that.

    Like

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